Judging by Xzibit’s gruff, authoritative and sometimes sinister voice, you wouldn’t essentially suppose he has a pointy humorousness, however he does. When as soon as requested to call his Prime 5 favourite rappers, he cheekily replied, “Dylan, Dylan, Dylan, Dylan, Dylan,” a reference to Dave Chappelle’s 2004 parody of Puff Daddy’s MTV actuality present Making the Band 2.
In individual, Xzibit is charismatic, participating and, sure, humorous. We first turned aware of his singular voice along with his 1996 solo debut, On the Velocity of Life. However 12 years have handed for the reason that West Coast rap luminary, additionally identified for internet hosting MTV’s Pimp My Journey and his 1999 collaboration with Dr. Dre, “What’s the Distinction”, that includes Eminem, from 2001, has launched his personal report.
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That can change in 2025, when the X to the Z roars again along with his new mission, Kingmaker, the (very) long-awaited follow-up to 2012’s Napalm. Up to now, he’s launched three singles and movies from the mission: “Play This at My Funeral,” “Been a Lengthy Time (Pt. 2)” and “In every single place I Go” that includes Dem Jointz.
Now 50, Xzibit is making a few of his most introspective music. There are nonetheless moments of self-aggrandizement, however his arduous life experiences, together with the 2008 demise of his toddler son and his 2021 divorce, have given him a deeper perspective.
“There’s been numerous progress,” he tells me. “I’ve rather a lot to say, and I consider that I discovered my voice. After I say I discovered my voice, it’s not the usage of it, sound of it, tone of it, or inflection, I believe I discovered what I’m purported to be saying and what I should be saying. I really feel empowered with the music that we’ve been in a position to make”
Kingmaker will mark one of many first releases on Dollar Information, an Irish report label co-founded by UFC ex-champion Conor McGregor and enterprise companions Richard Buck and Julian O’Brien.
“I believe now we have a bonus of the unknown,” Xzibit says of the brand new enterprise. “I don’t suppose individuals know what to anticipate, and I like that. I like these odds.”
Regardless of its grandiose title, Kingmaker, he says, actually “has nothing to do with royalty or having energy or superiority over anybody.”
To him, it means he’s lastly at some extent in his life the place he’s comfy in his personal pores and skin.
“I’m talking from a spot of expertise, empowerment, positivity, and a few actually harsh life classes that hopefully I’ve defined and lived by means of and set an instance for those that can relate,” he says. “I believe that’s the place I’m. I believe this report is a couple of switch of knowledge, issues, habits, mindsets and consistencies which have made me profitable. And in order that’s sort of what I’ve been making an attempt to painting, not solely by means of motion however in my artwork.”
Xzibit admits it took him means too lengthy to get to a spot the place he’s comfy with being so weak.
“Wins, losses, you already know, attracts, you identify it, I’ve been by means of it,” he says. “I want I might have had this a very long time in the past. I believe we lock ourselves up within the prisons of our minds much more than we should always and need to.
“We give individuals and circumstances numerous energy over our existence, and once I cease giving a fuck about what individuals suppose or say, it helps rather a lot with that journey,” he says. “However finally, you need to make the selection to be like, ‘Look, regardless of who this impacts, crucial factor is my peace.’”
And possibly attaining that peace meant stepping away from making solo albums for some time so he might give attention to different ventures. After dropping Napalm, he pivoted to doing extra tv, showing in exhibits like Hawaii 5-0, American Dad!, and Empire. In April, he expanded his enterprise portfolio by opening Xzibit West Coast Hashish, the first-ever hashish and supply service in Bel Air, California.
That’s to not say he utterly deserted music. In 2018, he launched one other Serial Killers album with Cypress Hill’s B-Actual, referred to as Day of the Useless and adopted up with Summer time of Sam in 2020. He additionally seems on Ice Dice’s new album, Man Down, on the track “Break the Mirror.” In the meantime, he’s been chipping away at Kingmaker within the studio, guaranteeing it lives as much as his expectations.
Whereas the record of who options on Kingmaker are nonetheless underneath embargo, Xzibit rattled off a few names that might presumably pop up—a straightforward conclusion merely as a consequence of his admiration for his or her talent ranges.
“I actually consider that Royce Da 5’9 is bigger than the props he receives, despite the fact that he receives an incredible quantity of accolades,” he hints. “I consider that that brother ought to be in everyone’s Prime 5. I believe Killer Mike has a supply and a ardour that makes him excel at MCing. He connects like a preacher; he connects to your soul. I might go on and on, however these two brothers proper there so far as the best way that they make me really feel about hip-hop is excellent.”
And it’s clear with every new track that trickles out that Xzibit nonetheless has a fireplace for his craft, too. His rhymes are properly written, properly executed, and spit with intention. Concurrently, he appears to be in an excellent place.
As he raps in “Play This at My Funeral,” “Rattling it feels good to be alive.” However he’s additionally conscious about the ticking clock and is engaged on turning into the perfect model of himself. “I believe I have to train,” he raps within the first verse. “I gained somewhat weight/However my pockets are nonetheless straight.”
When requested concerning the staggering variety of hip-hop artists who’ve died of their 30s, 40s, and 50s this yr—together with DJ Clark Kent, Wealthy Homie Quan, and Organized Noize co-founder Rico Wade—he takes observe of his personal shortcomings.
“I can’t say that I’m Mr. Olympia over right here,” he says with a chuckle. “However, I undoubtedly don’t do the issues I used to do. Everyone might use some enchancment, however I’m simply in a spot now the place issues have sort of balanced themselves out and I do know the place I’m purported to be. When you understand your personal mortality, you have a look at life much more critically.”
Xzibit, who spent a few of his adolescence in Albuquerque, New Mexico—a generally harmful Southwestern metropolis also known as the “Wild Wild West”—was compelled to confront his mortality as a child.
“I needed to make some actually grownup selections once I was very younger, so I’ve at all times sort of moved in that course and it’s been helpful,” he says. “However now the main focus that I’ve turning 50 and into an album cycle and hip-hop itself being 50 years previous—it’s a reasonably new style—we’re the primary of our era going into, ‘What does hip-hop appear like now?’
“There’s numerous ageism. There’s numerous discernment round who ought to be doing what in hip-hop. There’s no path that’s been laid in entrance of us, so we’re the primary. I’m glad to have the ability to pioneer what that appears like and what it’s. So far as ageism and what individuals say about hip-hop and their sharp criticism about who ought to be rapping and who shouldn’t, no person tells Mick Jagger when he ought to get off stage.”
Judging by the variety of hip-hop elders who’ve dropped a mission this yr—Eminem, Ice Dice, Snoop Dogg, and Dr. Dre, to call a couple of—Xzibit received’t be getting off stage anytime quickly both.
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